My preferred method to reduce - and sometimes eliminate - a halo is to use a luminance range mask and a brush. There is an easier way! Remove A Halo With A Luminance Range Mask And Brush You can try using a brush and paint in a reduction of contrast along an edge - although that can be problematic because it calls for intricate brush work. I tried reducing the strength of the profile - which did work to reduce the halo - but it also left my photo flat and lifeless. In my example, the camera profile itself introduced the halo. Reducing contrast, clarity, or texture may not give you the image you want. Reducing contrast for the photo overall can work, however it will also change your photo. In general, the contrast at these edges needs to be reduced. How To Fix A Halo?Īs noted earlier, halos happen at high contrast edges. If the changes aren’t a contributor to the halos, keep them. You set them for a reason to get your photo the way to want it. Pro tip: At each step, if disabling the panel or resetting the adjustments did not have an affect on the halo, re-enable the panel or returned the sliders to their prior setting. In this case, the contrast is too much and produces a halo. I like the B&W 04 profile because it is a high contrast profile and creates punchy black and white images. A camera profile is the initial interpretation of the raw. I’d found the cause - the camera profile. I switched the profile from B&W 04 to Adobe Color. The halos remained, so I undid that change. This reset all of my basic adjustments (exposure, blacks, whites, shadows, highlights). The halos remained, so I hit Cmd-Z to undo that change.ĭouble-clicked the Tone label in the Basic panel. This reset the Clarity and Texture sliders. The halos remained, so I did an Undo and reverted to my black & white mix.ĭouble-clicked the Presence label in the Basic panel. The halos remained, so I re-enabled the masks. I walked through each of the panels I’d adjusted, toggling them off and on to see if each was a notable contributor to the halo. When I noticed the halo around the trees at the left, I needed to chase down the major cause. Several of my masks involved contrast adjustments, dodging and burning, and the general push and pull of light and shadow. That’s a faster workflow for me.įor the photo above, I had set my camera profile, done basic adjustments and a black & white mix, and added several masks to the scene. You can also use the Lightroom history, although I prefer to toggle off and on the adjustment panels. Fortunately, Lightroom makes it easy to turn off and on various adjustments to see which has the most pronounced impact creating a halo. There is no quick shortcut to finding the cause of a halo. Sometimes a halo appears immediately and other times it may not be apparent until several adjustments have been made. As you process your landscape photo, you may start to see halos appear.
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